Dani Marti
| 1963 | Born in Barcelona, Spain |
| 1978-1979 | studies in tapestry technique, Barcelona, Spain |
| 1982-1988 | MBA, Esade, Barcelona, Spain |
| 1990-1991 | Diploma Fine Arts, Julian Ashton Art School, Sydney, Australia |
| 1991-1992 | Fine Arts Course, Art Students League, New York, USA |
| 2000 | Master of Arts, majoring in sculpture and installation, College of Fine Arts, University of New South Wales, Sydney, Australia |
| 2006 | Master of Fine Arts, Glasgow School of Art, Scotland |
| 2007 | Newcastle Regional Gallery Residency, Newcastle |
| Australia Council for the Arts, New Work Grant- Established artist | |
| 2009 | Gallery of Modern Art residency in conjunction with Gay Men‟s Health, Glasgow, Scotland |
| 2010 | Residency at Stills Gallery, Edinburgh New York Studio Residency for 2012, Australia Council for the Arts |
| 2011 | Creative Scotland, professional development grant |
| Lives in Melbourne, Australia. | |
| Solo Exhibitions | |
| 2015 | Slow Show, GAG Projects, Adelaide, Australia |
| 2014 | Run, Run, Run, Arc One Gallery, Melbourne, Australia |
| 2012 | Mariposa (Butterfly), BREENSPACE, Sydney, Australia |
| Against Day, Peleton, Sydney, Australia | |
| 2011 | And that's it, Greenaway Art Gallery, Adelaide, Australia |
| TOUCH; The portraiture of Dani Marti, Newcastle Region Art Gallery, Australia | |
| Book of miracles, Arc One Gallery, Melbourne, Australia | |
| 2010 | Bacon’s Dog, Breenspace, Sydney, Australia |
| 2009 | Insideout, off site venue: 4 Parnie street, GoMA and Glasggay, Glasgow, Scotland |
| Time is the fire in which we burn, Arc One Gallery, Melbourne, Australia | |
| 2008 | One breath below consciousness, Breenspace, Sydney, Australia |
| 2007 | Glitering Shadows, The Studio, Glasgay Festival, Glasgow, Scotland |
| Closer, Arc One Gallery, Melbourne, Australia | |
| Off my noodle, Live Sites, Newcastle Region Art Gallery and Newcastle City Council, NSW, Australia | |
| 2006 | Dark Bones, Citric Gallery, Brescia, Italy |
| The Seven Pleasures of Snow White, Sherman Galleries, Sydney, Australia | |
| 2005 | There is nothing at the end of the rainbow, Arc One Gallery, Melbourne, Australia |
| Variations in a Serious Black Dress, Viewing Gallery, Sherman Galleries, Sydney, Australia | |
| Orifices 2000–2004 and Looking for Felix 2000, Newcastle Region Art Gallery, NSW, Australia | |
| 2004-2005 | Variations in a Serious Black Dress, Canberra Contemporary Art Space, Canberra, travelling to Hazelhurst Regional Gallery, Sydney; Port Macquarie Hastings Regional Gallery, NSW; Bathurst Regional Art Gallery, NSW; Albury Regional Art Gallery, NSW; La Trobe Regional Gallery, VIC; Monash University Art Museum, VIC, Australia |
| 2004 | Looking for Rover, Sherman Galleries, Sydney, Australia |
| Orifices 2000–04,The Esplanade – Theatres on the Bay, Singapore | |
| 2003 | Variations in a Serious Black Dress, Room 35, Gitte Weise Gallery, Sydney, Australia |
| Portrait of a young man returning a ladybird to the grass, Arc One Gallery, Melbourne, Australia | |
| 2002 | Blue angels, Galeria Alejandro Sales, Barcelona, Spain |
| Mother is crying, Briefcase Project and Block, Sydney, Australia | |
| 2001 | You make me feel like love, peace and happiness, Gallery 4A, Sydney, Australia |
| I am forever blowing bubbles, Room 35, Gitte Weise Gallery, Sydney, Australia | |
| missing spain, Casula Powerhouse Arts Centre, Sydney, Australia | |
| Enhance Systems and Orifices,Span Galleries, Melbourne, Australia | |
| Jamón, La Capella, Barcelona, Spain | |
| 2000 | Thin Wall PB-I,Artspace, Sydney, Australia |
| Coco, Rubyayre Gallery, Sydney, Australia | |
| Sorry I just dropped my guts, The Lounge, Casula Powerhouse Arts Centre, Liverpool, Australia | |
| Looking for felix, Firstdraft Gallery, Sydney, Australia | |
| 1999 | WS-S#, Room 35, Gitte Weise Gallery, Sydney, Australia |
| Group Exhibitions (selection) | |
| 2015 | Obey!, curated by Paco Barragan, Centro Cultural Matucana 100, Chile |
| Video Stage- Art Stage Singapore 2015, curated by Paul Greenaway, Singapore | |
| Cementa 15, Kandos, NSW, Australia | |
| 2014 | DARK HEART: The 2014 Adelaide Biennial of Australian Art, Art Gallery of South Australia |
| 2013 | Fractures, PINTA, New York, Butterfly Man video program, curated by Octavio Zaya, USA |
| Weight and Measure with Lee Cavaliere and Andreas Siegfried, satellite exhibition, Frieze London, GB | |
| The 62nd Blake Prize, COFA Galleries, Sydney, Australia | |
| The Fleurieu Art Prize, Adelaide, Australia | |
| Woolahra Small Sculpture Award, Sydney, Australia | |
| VIDEONALE.14, Moscow tour, Russia | |
| From Madonna to Madonna, Domus Artium (DA2) Salamanca, Spain, curated by Paco Barragán | |
| MARKED – drawing now, Cessnock Regional Art Gallery 14th VIDEONALE, Kunstmuseum Bonn ECONOMY, The Centre for Contemporary Art, Glasgow and Stills: Scotland’s Centre for Photography, Edinburgh, Scotland | |
| 2011 | Group Show, Breenspace, Sydney, Australia |
| Lets the healing begin, IMA, Institute of Modern Art, Brisbane, Australia | |
| INHABIT, Third floor, building 2, 92 White Post Lane, London, GB | |
| Art of the Ordinary, Arc One Gallery, Melbourne, Australia | |
| Espiritu de Epoca, Una Decada de Pintura, MIAC, Lanzarote, Spain | |
| Highly Strung, Peter Potter Gallery, Scotland | |
| 2010 | Social Documents: The Ethics of Encounter, Stills, Edinburgh, Scotland |
| CinemaX: what I like to watch, MOCCA, Toronto, Canada | |
| 100 YEARS: Highlights from the University of Queensland Art Collection, Brisbane, Australia | |
| Vocal Thoughts, CACSA, Adelaide, Australia | |
| Cine the Barrio: La Velada de Santa Lucia, Maracaibo, Venezuela | |
| Hands On, Hazelhurst Reegional Art Gallery, Sydney, Australia | |
| 2009 | Non Age, Kunstalle Winterthur, Zurich, Switzerland |
| Runing Time: artists films in Scotland: 1960 to now, Scottish Gallery of Modern Art, Edinburgh, Scotland | |
| Biennal de Lazarote: Energy, Crisis, Creation, MIAC, Lanzarote, Canary Islands, Spain | |
| Ou va la video?, Kaunas In Artm Lithuania, Tina B festival, Prague; Palazzo Ducale, Genova, Italy | |
| The University of Queensland National Artists' Self-Potrait Prize 2009, UQM, Brisbane, Australia | |
| 2008 | New, The University of Queensland Art Museum, Brisbane,. Australia |
| 50x50, Arc One Gallery, Melbourne, Australia | |
| Jam, Peloton, Sydney, Australia | |
| IDENTIDADES: Arte y sexos, Sala Astragal, Gijon, Spain | |
| Festival SOS 4.8, Dept. of Culture Region Murcia, Spain | |
| Gifts to the collection, Newcastle Region Art Gallery, Newcastle, Australia | |
| Glasgow International, GI 2008, Glasgow, Scotland | |
| Australian, Casula Powerhouse, Liverpool, Australia, Australia | |
| Plastic Theory, Peloton, Sydney, Australia | |
| 2007 | M.A.S.H. Expanded Painting, coinciding with Miami Basel, Miami, USA |
| Trouble with the weather, UTS Gallery, Sydney, Australia | |
| Cornice Art Fair, Venice, Italy | |
| He dominates all, Black Box, Puerto Rico | |
| 2006-2007 | Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle, NSW, touring regional galleries in NSW, VIC and QLD, Australia |
| 2006 | Tomorrow Now, Foundation Bevilacqua Lamasa, Venice, Italy |
| The Projection Room, coinciding with the Liverpool Biennale, Liverpool, GB | |
| A man's world, Museum of Brisbane, Brisbane, Australia | |
| Love Video 2006, Gallery Sad- Artunison-, Moscow, Russia | |
| VADS Festival Internacional de Video i Arts Digitals, Girona, Spain | |
| Iondromo Film Competition, M+B studio, Venice, Italy | |
| Goods to Declare: MFA International, Bezalel Art School, Tel Aviv, Israel | |
| Celeste Art Prize, Goldsmiths University of London, The Old Truman Brewery, London, GB | |
| Marks and Comments, MFA degree show, Tramway, Glasgow and MoCa, Roskilde, Denmark | |
| Gridlines, Newcastle Region Art Gallery, Newcastle NSW, Australia | |
| Il Premio Internacional de Pintura de Castellon, Fundacion Astroc, Madrid, Spain | |
| SCREAM Sounding Images, in collaboration with Diana Simpson, CalArts, Los Angeles, USA | |
| 2005 | POST, Residence Gallery, London and Castlefield Gallery, Manchester, GB |
| Il Premio Internacional de Pintura de Castellon, Espai, Castellon, Spain | |
| Glad Wrap-up, Sherman Galleries, Sydney, Australia | |
| VAD Festival Internacional de Video i Arts Digitals, Girona, Spain | |
| Academy Now!, sound collaborations with Diana Simpson and Vivian Barty-Taylor, Royal Scottish Academy of Music and Drama, Glasgow, Scotland | |
| Good and gruseom, CCA Student Lab Night, CCA, Glasgow, Scotland | |
| Arafura Craft Exchange, Museum and Art Gallery of the Northern Territory, Darwin, Australia | |
| New Town Pasadena, in collaboration with Diana Simpson, Armory Centre for the Arts, Pasadena, CA, USA | |
| Nuit Blanche, Paris, France | |
| 2004 | One Of: Festivus 04, Sherman Galleries, Sydney, Australia |
| PistilsI Petals, Pundacio Espais Conteporanis, Girona, Spain | |
| 2003 | Festivus, Sherman Galleries, Sydney, Australia |
| Summer Show, Arc One Gallery, Melbourne, Australia | |
| 25 years of Mardi Gras, Tin Shesd Gallery, Sydney, Australia | |
| Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra, Australia | |
| The Canberra Contemporary Art Space and The Arts Store Award 2003, CCAS, Canberra, Australia | |